After Monsoon Project: Tera-Kota brings art closer to Pulau Kundur community

Being chosen as the location for the After Monsoon Project: Tera-Kota exhibition, which ends on Oct 30, has proven to be the perfect decision for the people of Pulau Kundur.

The coastal haven, just a stone’s throw from the better-known Pantai Cahaya Bulan in the Badang sub-district, is famed for its batik painting and fishing activities. The people are laid-back, the landscape breathtaking, and the weather ideal for this year’s exhibition.

Perhaps because of its political reputation, non-Kelantanese may have overlooked the state’s vibrant art scene. One might think that the political dramas engulfing Kelantan’s administration and bureaucracy have drowned out its more appealing artistic side.

Kelantan, however, has long been known for its distinctive depth and individuality in the arts. From the majestic Wau Bulan to the enchanting performances of Mak Yong and Dikir Barat, this east coast state has long been synonymous with creativity. Known as the ‘Cradle of Malay Culture’, it is no surprise that Kelantan lives and breathes art.

The driving force behind this year’s exhibition which involves 13 artists from all over Malaysia, is Azzaha Ibrahim. He said the latest edition of After Monsoon was designed with the community in mind.

“This is our third installation, and we wanted greater participation from the community, making it more accessible to everyone. The lines are now blurred, discarding conservative perceptions and focusing on accessibility to art,” said Azzaha, an independent researcher, artist, and architect.

Hopeful for a lasting impact, Azzaha believes the bridge between professional artists and the community will continue to shape Kelantan’s art scene.

“The support from the Pulau Kundur people was overwhelming. They helped with everything – from setting up the exhibition area to cooking for everyone,” said Azzaha.

Dr Hawari Berahim, a lecturer at Universiti Malaysia Kelantan’s Faculty of Creative Technology and Heritage, and one of After Monsoon’s pioneers, also praised the residents’ commitment.

“Everyone is working for free because they want to be part of this project. The response and support have been overwhelming,” said Hawari. “We are not trying to change the identity of this place. It would be enough if we could leave behind some landmarks or improvements for the villagers when we leave.”

Meanwhile, Mohd Zawawi Abdul Rahman from Sunburst Store said his participation stemmed from a love of art and his desire to give back to his community.

A Pulau Kundur native, Mohd Zawawi’s store is a co-sponsor of the exhibition.

“Knowing that art is accessible to everyone will inspire them, especially the youth, to get involved in future projects,” he said.

After Monsoon’s outdoor concept has also benefited locals, with Pulau Kundur residents selling food and drinks to visitors throughout the exhibition.

Artist Nizar Sulaiman, previously involved with After Monsoon in a different capacity, has his artwork on display this year. His piece, created with Edroger Rosili and Fazreen Sukri, uses materials sourced directly from the village.

“In line with this year’s theme, Tera-Kota or earth-based art, we created a piece about humanity and civilisation,” said Nizar.

“It symbolises a human pyramid representing body, mind, and soul – a reminder of how we wither and the impermanence of life itself.”

Another artist, Shamsul Salehuddin – better known as Macramesso – joined the exhibition by chance.

“Abang Ha (Azzaha) approached me and asked if I wanted to perform with my handpan, and here I am,” he said.

Macramesso is the only performing artist this year. His instrument, the handpan, is a rare sight in this part of the world.

“I am a self-taught handpan artist. I learnt to play it from YouTube,” said Macramesso, who also makes macramé when not performing.

“My interest in the handpan began when I was looking for something soothing to listen to while working on my macramé art. When I found this instrument and heard its sound, I was immediately hooked,” added Macramesso, who now owns three handpans.

After Monsoon has proven to be more than just an art exhibition. Azzaha and his co-partners’ vision for it to become a biennial event in Kelantan could be exactly what the state needs to bring communities from different backgrounds together through art and culture.

Despite the red tape that organisers of such events often face, After Monsoon shows that proper planning and passion can go a long way.

Its mission to make art accessible to the public, rather than confined to a niche gallery crowd, has left an indelible mark on Kelantan’s artistic development and cultural progression.