'Maestro In Blue' Season 3 Recap & Ending Explained: Did Klelia And Orestis End Up Together?

The ever-dynamic human life is like a beautiful melody, flowing with its own rhythm and beat; it comprises interconnected notes of emotions, feelings, and expressions. While the high notes of joy, love, and desire provide a euphoric sense of freedom, the low notes of sorrow, trauma, isolation and remorse allow growth of emotional expression. When the symphonies of different lives find perfect balance by matching their notes, a perfect harmony is created. Trying to discern the intricacies of life through musical resonance is what I find the most memorable aspect of Netflix’s Greek drama, Maestro in Blue, which returned with its third and final season to conclude its opus. While the series has a murder mystery investigation subplot with interspersed elements of personal trauma, crime, and corruption, the narrative as a whole is founded on and connected by expressions of love and how it acts as a connection between music and life. While the shortened final season, consisting of four episodes, seems a bit rushed on a few occasions, it does wrap all the plot threads up as best it can. 

Spoilers Ahead

Demosthenes Quits His Mad Pursuit

Veteran Detective Demosthenes Kouvas had arrived at the picturesque island of Paxos to investigate the death of Charalambos, and after interrogating every possible suspect and person close to the victim, the perceptive sleuth could easily figure out that the lovers, Spyros and Antonis, were involved in Charalambos’ death. It was clear to the detective that almost everyone in the town hated Charalambos as a person, and given his reputation as an abusive husband and homophobic father who tried to force his son Spyros to reject his sexual orientation, even his family was relieved after his demise. However, Demosthenes was hell-bent on capturing the culprit, not just to satisfy his sense of justice but also because, at the last phase of his career, solving this case could have provided him some closure. Demosthenes was aware that Charalambos was closely associated with Fanis’ illegal drug trafficking with the Italian mafia, and the investigation could have opened a whole can of worms by exposing the truth. Throughout his career, Demosthenes had had to accept the way of the world, governed as it was by the corrupt and powerful, and now that he has a legitimate chance to use this case to unmask one such scoundrel, he just couldn’t let it go. 

Fanis tried to coerce, bribe, and dodge his way out of the investigation, and at one point he directly put the blame on Spyros to save his own skin, but Demosthenes was proving to be a hard nut to crack. Ultimately, Fanis put a hit out on the veteran detective, not to kill him but just to rough him up so that he didn’t continue to pry so much. As an injured Demosthenes was recuperating in the hospital, Corfu police chief Sotiriou had arrived to inform him that the higher-ups had ordered the case to be closed, and he too had realized it was not worth it to risk his life at this stage. The truth is, Demosthenes was a lonely soul whose purpose in life remained constrained to his duty, and nearing the final phase of his career, he desperately held on to it. Fortunately, he was able to connect with Klelia’s grandmother, Haris, as both of them shared a passion for music, and the prospect of having a life together is what gave Demosthenes a perspective in his humdrum routine. After all is said and done, Demosthenes decides to settle on Paxos, and whether or not his feelings for Haris get reciprocated by her is a story for another time. 

Sofia betrayed Fanis

The second season ended with a surprising cliffhanger moment, as Giovanni’s men killed Fanis and held his wife, Sofia, at gunpoint. As it turns out, the scenario took place in the aftermath of Charalambos’ murder case officially being shelved by the authorities, which raises the inevitable question as to why Giovanni decided to kill Fanis when there was no threat of their drug trade being exposed by the police anymore. Sofia knew that her selfish, manipulative, cheating husband didn’t care about their son, Antonis, at all, and only wanted to derail Demosthenes’ investigation to save his own reputation as the town’s mayor and to protect himself from the grasp of Giovanni and his lackeys. Additionally, Giovanni continued threatening Fanis with the safety of his children when he was unable to shake off Demosthenes’s prying eyes, much to Sofia’s dismay. Unlike Fanis, Sofia actually cared about the well-being of their children, and she made a deal with the veteran detective with the proposition of exposing her husband in exchange for exempting her family from the murder investigation. When Fanis put out a hit on Demosthenes, he was able to obtain the audio recorder from him, which, as he revealed to Sofia, had a recording of her conversation with Demosthenes. It was pretty apparent that the reveal was Fanis’ way of warning his wife that he could easily blackmail her in the future and continue to make her an accomplice to his crime, in whichever way he liked, and after enduring this toxic man all through her life, Sofia had reached a breaking point. 

Sofia was aware of Fanis’ secret affair with Giovanni’s wife, Joana, and I think this is why it was not that much of a hassle for her to convince Giovanni to eliminate Fanis, who was slowly becoming a major headache anyway. After Fanis is killed, Sofia is returned safely back to shore by Giovanni’s men, and later on she assumes the position Fanis commanded as a middleman to the Italian mafia. In a way it was an emancipation for her; just like how Maria was able to get out from under her despicable husband Charalambos’ shadow in the previous season, Sofia was able to free herself of her burden as well. However, at the same time, Sofia initially appears somewhat remorseful as she has to keep the truth from her children, which indicates that, like Maria, she too has to go through a bit of a soul-searching journey of her own.

Maria’s Significance Is Much Understated

Being finally able to escape the toxic psychological influence her husband had subjected her to, Maria is able to see things with much more clarity. The third season of Maestro in Blue offered a sympathetic look at Spyros’ betrothed, Yianna, who is trying to make a career as a bumbling social media influencer to forget the miseries of her own life. Her relationship with Spyros was stuck in a peculiar predicament, as despite everyone clearly being aware of the loving relationship Spyros and Antonis had with each other, Yianna was shoehorned in between, as she was practically implored to remain as Spyros’ girlfriend. Even though Yianna shared a great relationship with Spyros and his mother, Maria, she knew their relationship had no future at all. On one occasion, as she was having a heated argument with Spyros, he ended up slapping her, much to the horror of Maria, who saw Charalambos’ influence still lingering in her son. Maria reprimanded her son immediately, sending him away in an instant, and forbade him to return to Yianna until he had gotten the toxicity out of his system. Later on, Yianna and Spyros meet in a much friendlier way as Spyros apologizes for his actions, and as the duo accepts their reality, Yianna decides to leave the home with Maria’s blessing to start a new life. 

Despite not seeing eye to eye with Demosthenes, Maria seeks out his help when she comes across one of her neighbors getting tormented by her abusive husband. Maria used to be subjected to a similar fate, and she is not only able to sympathize with the abuse victim; she has now mustered enough confidence to speak up as well. The miserable state of law and order is highlighted as Maria’s plea to local police goes in vain, and Demosthenes takes it upon himself to teach the abusive husband a lesson. Later on, Fanis hires the same guy to assault Demosthenes to discourage him from continuing the murder investigation. 

Spyros and Antonis Break the Cycle

It was Maria’s (and to some extent Sofia’s) constant support and understanding that helped her son Spyros and his lover Antonis to consider facing the consequences of their actions instead of hiding and running away. As the final moments of the season show, both of them live their best life by moving away from Paxos to Athens and eventually surrendering themselves to Athens police. Spyros used to be guilt-ridden, considering how his father despised him over his sexual preference, as is revealed from his conversation with the church priest in Paxos. Additionally, after raising his hand against Yianne, he feared that the presence of his abusive, vile father had not left him even after his death. On the other hand, Antonis was constantly berated by his father, Fanis, and considered himself to be responsible for putting so many lives in jeopardy. After realizing Fanis had put a hit on Demosthenes, Antonis became more despondent than ever, and even though the investigation was closed off by then, he voluntarily confessed his crime to the detective. 

The moral support both Antonis and Spyros received from their mothers acted like a charm, as shunning their fathers’ way of covering up their heinous deeds, the sons opted for a better path. They will face their due sentence as murderer and accomplice, even though their actions were motivated by self-defense, but as long as they have each other and the support of their family by their side, things will work out in the end. 

Did Klelia and Orestis End Up Together?

Finally, the core of Maestro in Blue, the relationship between Klelia and Orestis, reaches a point where they decide to choose their own path while still trying to figure out a way to continue their relationship. After moving to Athens, Orestis had tried to be a dutiful father to his and Alexandra’s child, but after learning that Alexandra was responsible for him getting sacked from the music school in the first place, he became increasingly frustrated with her. Also, Orestis was struggling with his life as a father, as Alexandra remained busy with her business, and on one occasion his momentary negligence resulted in their infant daughter getting injured as well. Orestis decided to entrust Alexandra with the responsibility of parenting and moved back to Paxos to rekindle the relationship he shared with Klelia. By now, Klelia had left her boyfriend, Thanos, as well, after seeing his true face as a toxic, abusive scumbag, and merrily patched things up with her maestro. 

However, things became complicated when Alexandra arrived at Paxos as well, along with her daughter, resulting in Orestis being torn between his responsibilities as a father to his daughter and a lover to Klelia. Alexandra had realized that Orestis had fallen out of love with her and had completely devoted himself to Klelia, and she was able to accept the truth past a certain point in time. Alexandra left Paxos with their daughter. But as Orestis chose to take up the duty of co-parenting, his daughter was a constant reminder to Klelia that she had to share Orestis with someone else, even though Alexandra no longer interfered in their lives. Eventually, Klelia decided to prioritize her passion for music to bear with this reality, as she applied to the prestigious Franz Liszt Academy in Budapest and got selected. Klelia had to move to Budapest, and following a tearful farewell with Orestis, she was prepared to turn a new page in her life. Orestis composed symphonies dedicated to Klelia as he continued his tenure at the music school in Athens, and the love they shared for music kept the lovers connected with each other. The symphonies of their lives couldn’t create harmony in the conventional sense but found their own way to create a soulful tune. 

...